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Regensburg Cathedral  

Regensburg Cathedral west facade
The beautiful Gothic west facade of Regensburg Cathedral.
For more and larger photos see our Regensburg Cathedral Photo Gallery.

Side view
Side view.

West portal sculpture and clock
Detail of west portal statues, with clock tower in the background.

West tympanum
Tympanum depicting the Resurrection of Christ.

Gargoyle
Gargoyle and bright banner on the south side.

Judensau
Judensau on a south buttress.

Nave
Interior view, looking east from the entrance.

Crossing Vault
Vault at the crossing, looking southeast.

Smiling Angel
The famous Smiling Angel (c.1280) on a pillar in the crossing.

St Peter
Striking statue of St. Peter in the south aisle.

Stained glass of St Peter
Stained glass window depicting St. Peter in the south transept.

Annunciation
Stained glass window of the Annunciation.

Bartholomew
Stained glass window of Saint Bartholomew.

Blocks
White blocks painted with numbers, ready to replace the greenish ones.

Location map and aerial view of Regensburg Cathedral. For a larger interactive view, see our Regensburg Map.



Built in the 1300s on the site of earlier cathedrals, Regensburg Cathedral (Dom St. Peter) is the finest Gothic building in Bavaria. Its harmonious exterior, alive with interesting medieval sculptures, has recently been fully cleaned. Inside are even more sculptures along with an extensive collection of medieval stained glass.

History

The first record of a cathedral in Regensburg dates from about 700 AD; the Diocese of Regensburg was officially established by St. Boniface in 739. In the late 700s or early 800s, a Carolingian cathedral replaced the original building. In the early 11th century, the cathedral was extended westward in the Romanesque style, including an atrium and twin west towers.

After more than one damaging fire in the 12th century, a new cathedral was planned in the High Gothic style. Begun shortly after 1260, it was built over the site of its Romanesque predecessor and incorporated some of the earlier structure. The first altar was consecrated in 1276, probably in the south choir. By about 1320, the altars at the east end were sufficiently completed for consecration and liturgical use.

The south tower was built between 1341 and 1380. After some houses and a church were destroyed to make room, the north tower and west facade were built (1385-1487). The main portal was done by 1410 and the nave was finally roofed in 1442. Contruction came to a stop, although the cathedral was not completed, sometime around 1520. The cloisters, however, were built in 1514-38.

The cathedral received the usual Baroque makeover in 1613-49, consisting mainly of new furnishings and the addition of a dome over the crossing.

The middle of the 19th century was another busy period of construction work at Regensburg Cathedral. First, King Ludwig I ordered a general restoration and a reversal of the Baroque additions in 1828-41, which included replacing the Baroque dome with a Gothic-style ribbed vault. In 1859-69 the transept gable and crossing spire were added, finally bringing the cathedral to completion.

The 20th century saw some archaeological excavations in the nave, during which a burial crypt for bishops was added (1984-85). The Sailer Chapel altar was dedicated in 2004 as a place for services and private prayer.

In the last few years, extensive cleaning of the west facade has been underway and (as of 2008) is almost complete. Another ongoing project is to replace the greenish limestone blocks (from 19th-century restorations) with white stone blocks from the Czech Republic to better match the original work. As of our visit (March 2008) the new blocks could be seen stacked behind the east end.

What to See

Exterior

The twin spires of Regensburg Cathedral can be seen from all over the city. The great Gothic edifice stands in the heart of the Old Town near the Old Stone Bridge, flanked by a road on the south and the Domplatz on the west. Various buildings, including the Bishop's Palace (now the Treasury Museum), adjoin the north side.

The west portal (1410) is richly ornamented with arches, canopies, and sculptures of biblical scenes, saints, kings and creatures. Just inside the door are intriguing sculptures of the Devil (left) and the "Devil's Grandmother" (right). One of the tympanums depicts the Resurrection of Christ, with an angel taking Christ by the hand and helping him out of what looks like a sandcastle.

There are also weathered sculptures on the buttresses of the south side, unfortunately including an example of the Judensau ("Jews' sow") that faces the former Jewish Quarter. The sculpture is quite damaged, but shows Jews suckling on a large sow (female pig). This image - intended to be degrading and insulting since the pig is unclean in Judaism - was widespread in German-speaking lands. Another infamous example of a Judensau is at the City Church in Wittenberg, which was mentioned with approval by Martin Luther in his anti-Jewish writings.

Interior

The floor plan of the cathedral is simple and compact, with no real transept and no ambulatory. A small, fairly low gallery runs around the interior walls, unfortunately blocking part the lower parts of the stained glass windows. The vault dates from about 1442.

The three west portals lead into three aisles, which culminate in the Altar of St. Ursula (left/north aisle), the choir and High Altar (nave), and the Sailer Chapel with the Nativity Altar (right/south aisle). Flanking the apse at the east end, which contains the High Altar and organ, are the rectangular sacristy (left/north) and winter choir (right/south). There are several altars in the side aisles (especially the north), housed in small niches rather than side chapels.

Among several notable sights in the interior is the "Smiling Angel" on the southwest pillar in the crossing, which is part of an Annunciation group (the Virgin Mary is across the nave on the northwest pillar). It was sculpted in about 1280 by the artist known as the Master of St. Erminold. The angel looks very cheerful and is quite popular with visitors. The brochure published by the Diocese describes it as "the visible expression of the Gospel - the good news of the love of God become man." The east pillars of the crossing have 14th-century statues of Sts. Peter and Paul.

There are said to be nearly 100 images of St. Peter, to whom the cathedral is dedicated, throughout the exterior and interior. Notable examples include an elegant stone statue in the south aisle and the St. Peter Window above the south portal (c.1320). As in virtually all medieval images of St. Peter, he is recognizable by the oversized key he carries. On the south transept wall is a 16th-century crucifix containing real human hair, which legend has it will grow to knee-length when Judgment Day is imminent.

The Sailer Chapel occupies the southern area next to the chancel and is set aside for private prayer. It is named for the tomb of Regensburg Bishop Johann Michael von Sailer (1751-1832), which was erected by King Ludwig I in 1837 in honor of his former tutor. The canopied Nativity Altar in the chapel dates from c.1415-20.

The cathedral's boys' choir (Domspatzen - "Cathedral Sparrows") are highly acclaimed and can be heard during Mass at 10am on Sundays and holidays.

Stained Glass Windows

An impressive number of medieval stained glass windows have survived in Regensburg Cathedral. Most date from between 1320 and 1370, but there are even some survivors from 1220-30. The west windows date from the 19th century. Several windows were installed in 1967-68, designed by the artist Professor Oberberger, in the clerestory, north chancel, and south transept.

Chancel Windows

The stained glass windows of the chancel have survived from the Middle Ages fully intact. Most were donated by canons and citizens of Regensburg between 1320 and 1370. The windows have an unusually complex arrangement consisting of two layers of frames. The top level of windows occupy the innermost frame while the lower windows fill the outer frame. Accomplishing the transition in the middle is an arcaded triforium, also filled with medieval glass. The dates and subjects of these windows are as follows:

Position Donor and Date Subjects
bottom left unknown Lives of Sts. Peter and Paul; martyrdoms of other apostles
bottom center Bishop Nicholas of Ybbs, 1313-40 Scenes from the childhood of Christ and various saints, especially those venerated in Eichstätt, where the bishop had been a canon.
bottom right Canon Werner, c.1310/20 Family of St. Anne; legends of Joachim and Anne; Mary and Joseph
triforium unknown Full-length figures of saints
top left unknown Scenes from the Passion of Christ; illustrations of the Works of Mercy; saints venerated in Eichstätt
top center "Philippus" - maybe Philip of Ratsamhausen, Bishop of Eichstätt (1306-22) Abstract designs and full-length figures of saints
top right Konrad of Haimberg and Konrad of Schwarzenburg, c.1305 14 Helpers in Times of Need; other saints
side walls c.1360/70 Each window is filled with a single large composition, including the Nativity, Adoration of the Magi, Ascension and Dormition of the Virgin

Other Windows

The windows in the south aisle date from between 1325 and 1370 and are notable for their subtle use of color. From left to right (east to west), they depict:

  1. Apostles and saints
  2. Scenes from the lives of St. Christine and St. Leonard
  3. Life of the Virgin Mary (including a popular blue donkey at the upper left)
  4. Apostles, saints, and doctors of the church
  5. Saints and scenes from the legend of St. Catherine

The south transept wall has a huge window of nine lights installed around 1330, which is filled with even older glass. Dating from around 1230, these Romanesque panes depict fragments of a geneology of Christ along with an Annunciation, Nativity and Crucifixion. Some Gothic stained glass (c.1370) can also be seen in this window, the most notable of which is the richly colored Madonna and Child.

The windows of the north aisle date from the 1300s and 1400s, with some modern replacements. From left to right (west to east), they depict:

  1. Partial window with saints including Stephen, Peter, Sebastian and Agnes (c.1450)
  2. Two-light window with saints including Stephen (left) and Lawrence (right) (c.1330)
  3. Larger partial window with Christ as Judge, angels with trombones, and the symbols of the Four Evangelists (c.1450)
  4. Lower level, left to right: kneeling founders (probably the Waldeisen family) with coats of arms; Peter on the throne; Paul and James the Greater; John the Baptist and John the Evangelist. Upper level, left to right: Nativity of Christ; Three Magi; Death of the Virgin. (c.1430-40)
  5. Main scenes: Annunciation; Nativity of Christ; Crucifixion. Also the 14 Helpers in Time of Need and St. Christopher.
  6. Rosette with the Four Evangelists (c.1330) and saints (1907).

Quick Facts

Site Information
Names: Regensburg Cathedral; Regensburger Dom; Dom St. Peter; St. Peter's Cathedral, Regensburg
Dedicated to:St. Peter
Location:Regensburg, Bavaria, Germany
Category: Cathedrals; World Heritage Sites
Faith:Christianity
Denomination:Catholic
Status:active
Date:Founded c.700; present building mostly 14th and 15th centuries
Architecture: Gothic
Size:Length: 85.4m
Width: 34.8m
Nave height: 31.85m
Tower height: 105m
Features:Medieval Stained Glass
Visitor Information
Coordinates: 49.019444° N, 12.098581° E   (view on Google Maps)
Address:Domplatz 1, 93047 Regensburg, Germany
Phone:0941 298 6278
Website:www.regensburger-dom.de
E-mail:info@domplatz-5.de
Hours:Apr-Oct: daily 6:30am-6pm
Nov-Mar: daily 6:30am-5pm
Tours:Guided tours (€3) include cathedral, cloisters, chapels of All Saints and St. Stephen and are in German. Tickets and starting point at Domplatz 5 near the west facade.
May-Oct: Mon-Sat 10:30am, 2pm; Sun & holidays: 2pm
Cost:Free
Photography:Permitted even with flash or tripod
Services:Mon-Sat: 7am Mass
Sun & Holidays: 10am Mass with Cathedral Choir; 12pm Mass

Note: This information was accurate when published and we do our best to keep it updated, but details such as opening hours can change without notice. To avoid disappointment, please check with the site directly before making a special trip.

Travel Resources

Article Sources

Article written by Holly Hayes with reference to the following sources:

  1. Personal visits (March 18-19, 2008).
  2. Maria Baumann and Werner Schrüfer, St. Peter's Cathedral, Regensburg (official cathedral brochure).
  3. Prof. Dr. Achim Hubel, Cathedral of Regensburg, 3rd. rev. English ed. (Regensburg: Schnell & Steiner GmbH, 1999). ISBN 3-7954-6162-6.
  4. Prof. Dr. Achim Hubel, Die Glasmalereien des Regensburger Domes (Regensburg: Schnell & Steiner GmbH, 2002). ISBN 3-7954-5012-8.
  5. Regensburger Dom - official website
  6. Regensburger Dom - German Wikipedia
  7. Regensburg: The Dom - Rough Guide to Germany

More Information


Article last updated: 10/08/2009.





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