Sacred Destinations
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Moissac Abbey Cloister  

Moissac Cloister Floor Plan
Plan of Moissac cloister with numbered capitals. Plan © Quitterie Cazes. See our Moissac Cloister Photo Gallery for views of all of them.

Location map and aerial view of Moissac Abbey Cloister. For a larger interactive view, see our France Map.



The cloister of Moissac Abbey Church in southwest France is one of the finest galleries of Romanesque art in the world and the oldest and largest cloister with narrative capitals. Completed in 1100 AD, it contains 76 capitals plus 12 large pillar reliefs in a large cloister measuring 31 meters by 27 meters.

Moissac's capitals are beautifully carved and in surprisingly good condition for their venerable age, except that virtually all the faces have sadly been smashed. Dramatically shaped like upside-down pyramids, the distinctive capitals of Moissac are carved over their entire surface, including the abacus (flat part at the top). Many of them have Latin inscriptions explaining the scene.

Subjects of the sculptures include delicate foliage, animal and human figures, biblical scenes and legends of the saints, all combined in an apparently random order that forms no narrative. Of the 76 total capitals, 46 depict narrative scenes from the Bible or the lives of the saints and 11 of those illustrate the Old Testament. Interestingly, none of the sculptures depict scenes from the Passion.

Below is a fully illustrated guide to the subjects of each capital and pillar in the Moissac cloister, using the modern numbering system found in the official visitor's guide and, e.g., the Blue Guide to Southwest France. The numbers correspond to the plan of the cloister at right, which is from the visitor's guide. Capital Roman numerals refer to pillar reliefs.

It may take a few moments for all the photos to load. Click on any photo to enlarge. To browse all the capitals plus general views of the cloister, please see our large Moissac Cloister Photo Gallery.

West Gallery

I St. Philip
1 Sacrifice of Abraham

This famous test of Abraham's obedience is told in Genesis 22:1-19.

1: Sacrifice of Abraham
1: Sacrifice of Abraham
2 Glorification of the Cross (abacus: monsters)

Angels hold tall Latin crosses draped with cloth. Each cross has a chi-rho in the center.

2: Glorification of the Cross
2: Glorification of the Cross
2: Glorification of the Cross
2: Glorification of the Cross
2: Glorification of the Cross
3 Acanthus leaves

3: Acanthus Leaves
3: Acanthus Leaves
3: Acanthus Leaves
4 Birds in combat (abacus: lions)

4: Birds in Combat
4: Birds in Combat
4: Birds in Combat
5 Daniel in the Lion's Den; Announcement to the Shepherds

The annoucement to the shepherds (Luke 2:8-16) is on the south and west faces; Daniel kept safe by God in the lions' den (Daniel 6) on the north face. The east face has two standing goats (labeled CAPRAS), presumably as part of the shepherd scene on the south face. The style of these animals and inscriptions parallels that of Daniel's lions on the north face, making a nice transition between the two seemingly unrelated scenes.

5: Daniel in the Lions' Den
5: Daniel in the Lions' Den
5: Daniel in the Lions' Den
5: Daniel in the Lions' Den
5: Announcement to the Shepherds
5: Announcement to the Shepherds
5: Announcement to the Shepherds
6 Acanthus leaves

6: Acanthus Leaves
6: Acanthus Leaves
7 Monsters with battle equipment

Little monsters or demons holding bows and horns, probably representing the devil or evil unleashed on the world.

7: Monsters with Battle Equipment
7: Monsters with Battle Equipment
7: Monsters with Battle Equipment
7: Monsters with Battle Equipment
7: Monsters with Battle Equipment
7: Monsters with Battle Equipment
8 Raising of Lazarus

This story is told in John 11:1-43. On the west face, Lazarus is shown standing up in a simple sarcophagus, wrapped in his grave clothes. Someone assists him from the left and Christ stands on the right with a raised arm. The other faces of the capital show onlookers and probably Mary and Martha weeping at Christ's feet.

8: Raising of Lazarus
8: Raising of Lazarus
8: Raising of Lazarus
8: Raising of Lazarus
8: Raising of Lazarus
9 Palm leaves

9: Palm Leaves
9: Palm Leaves
10 Mythical beasts and animals (roses, stems and snakes on the abacus)

10: Entwined Mythical Beasts
10: Entwined Mythical Beasts
10: Entwined Mythical Beasts
10: Entwined Mythical Beasts
10: Entwined Mythical Beasts
II Dedicatory inscription (west face); St. Simon (east face)

The very important inscription on this pillar provides a precise date for the cloister: ANNO AB INCARNATIONE AETERNI PRINCIPIS MILLESIMO CENTESIMO FACTUM EST CLAUSTRUM ISTUD TEMPORE DOMINI ANSQUITILI ABBATIS AMEN. "In the year 1100 of the Incarnation of the Lord Eternal, this cloister was constructed, at the time of Dom Ansquitil, Abbot, Amen." After the inscription are four lines of initials: VVV, MDR, RRR, and FFF. Their meaning has not yet been deciphered.

II: Dedicatory Inscription
II: Dedicatory Inscription
II: St. Simon
II: St. Simon
II: St. Simon
11 David anointed by Samuel

After the death of King Saul, God commands Samuel to anoint David as king. David is called in from tending sheep in Bethlehem, and Samuel anoints him with oil from a ram's horn (1 Samuel 16:1-13).

11: Samuel Anoints David
11: Samuel Anoints David
11: Samuel Anoints David
12 Foliage design

12: Foliage Design
12: Foliage Design
13 Birds and wild animals

13: Birds and Wild Animals
13: Birds and Wild Animals
14 Acanthus leaves

14: Acanthus Leaves
14: Acanthus Leaves
15 The Beatitudes

Figures holding stylized leaves inscribed with eight of the Beatitudes ("blessed are the...") from the Sermon on the Mount given by Jesus (Matthew 5:1-12).

15: The Beatitudes
15: The Beatitudes
15: The Beatitudes
15: The Beatitudes
15: The Beatitudes
15: The Beatitudes
15: The Beatitudes
16 Lions in combat, human faces

Pairs of lions with sharp teeth claw at humans and each other. In the corners, their tails wind together like snakes.

16: Lions and Humans
16: Lions and Humans
16: Lions and Humans
16: Lions and Humans
16: Lions and Humans
16: Lions and Humans
17 Cain and Abel

17: Cain and Abel
17: Cain and Abel
17: Cain and Abel
17: Cain and Abel
17: Cain and Abel
18 Foliage design

18: Foliage Design
18: Foliage Design
18: Foliage Design
19 Ascension of Alexander the Great?

On the north face, a headless man lassos two large birds with ropes; on the south face, the man is also wrapped in the ropes. On each abacus, two angels hold a medallion with a human face in it.

19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
19: Ascension of Alexander the Great?
20 David and Goliath

This famous story is told in 1 Samuel 17.

20: David and Goliath
20: David and Goliath
20: David and Goliath (Detail)
20-21: Herod and John the Baptist; David and Goliath
III St. Bartholomew

III: St. Bartholomew
III: St. Bartholomew

South Gallery

IV St. Matthew

IV: St. Matthew
21 Herod's Feast; Beheading of John the Baptist


20-21: Herod and John the Baptist; David and Goliath
21: Herod's Feast and Beheading of John the Baptist
21: Herod's Feast and Beheading of John the Baptist
21: Herod's Feast
22 Birds in plants (abacus: two-headed eagles)

22: Birds in Plants
22: Birds in Plants
22: Birds in Plants
23 Babylon

23: Babylon
23: Babylon
23: Babylon
23: Babylon
23: Babylon
23: Babylon
24 Birds in combat (abacus: animal masks spewing interlaces)

24: Birds in Combat
24: Birds in Combat
25 Dream of Nebuchadnezzar (abacus: palmette frieze and inscription)

According to Daniel 2, King Nebuchadnezzar II of Babylon (c 630-562 BC) had a dream of a statue which no one could interpret except the prophet Daniel.

25: Dream of Nebuchadnezzar
25: Dream of Nebuchadnezzar
25: Dream of Nebuchadnezzar
25: Dream of Nebuchadnezzar
25: Dream of Nebuchadnezzar
25: Dream of Nebuchadnezzar
26 Martyrdom of St. Stephen

The first Christian martyr, Stephen was stoned to death by a mob (Acts 7).

26: Martyrdom of St. Stephen
26: Martyrdom of St. Stephen
26: Martyrdom of St. Stephen
27 Acanthus leaves (abacus: lions)

27: Acanthus Leaves
27: Acanthus Leaves
28 David and angelic musicians (mythical birds and animals on the abacus)

28: David and Musical Angels
28: David and Musical Angels
28: David and Musical Angels
29 Jerusalem

29: Jerusalem
29: Jerusalem
29: Jerusalem
29: Jerusalem
V Undecorated red marble panel  
30 Well of the Abyss

This unusual subject is identified by an inscription. It presumably refers to Revelation 9: " The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth. The star was given the key to the well of the Abyss. When he opened the Abyss, smoke rose from it like the smoke from a gigantic furnace."

30: Well of the Abyss
30: Well of the Abyss
30: Well of the Abyss
30: Well of the Abyss
31 Symbols of the Four Evangelists (abacus: wild animals fighting)

For more info, see our article on the Symbols of the Four Evangelists. This subject occurs again on capital 71.

31: Four Evangelists
31: Four Evangelists
32 Canaanite woman and centurion

32: Canaanite Woman and Centurion
32: Canaanite Woman and Centurion
32: Canaanite Woman and Centurion
32: Canaanite Woman and Centurion
33 The Good Samaritan (abacus: populated foliage, inscription)

The Parable of the Good Samaritan is told in Luke 10:25-37.

33: The Good Samaritan
33: The Good Samaritan
33: The Good Samaritan
33: The Good Samaritan
33: The Good Samaritan
34 Temptation of Christ

After Jesus was baptized and fasted for 40 days, the devil tempted him three times (Matthew 4:1-11).

34: Temptation of Christ
34: Temptation of Christ
34: Temptation of Christ
34: Temptation of Christ
34: Temptation of Christ
34: Temptation of Christ
35 Apocalyptic Vision of St. John

35: Vision of St. John
35: Vision of St. John
35: Vision of St. John
35: Vision of St. John
35: Vision of St. John
35: Vision of St. John
36 Transfiguration

The transfiguration of Jesus, in which he appeared in glory with Moses and Elijah before the disciples Peter, James and John (Matthew 17:1-9).

36: The Transfiguration
36: The Transfiguration
36: The Transfiguration
36: The Transfiguration
36: The Transfiguration
37 Imprisonment and miraculous escape of St. Peter (abacus: frieze of devils and relief inspired by Kufic script)

This story is told in Acts 12:1-18.

37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
37: Imprisonment and Release of St. Peter
38 Baptism of Christ

For the biblical basis see Matthew 3:13-17. As in most medieval depictions, Christ is shown naked and waist-deep in the wavy waters of the River Jordan. John the Baptist baptizes him from the left while a dove descends from above. Two apostles bring him clothes. On the sides of the capital, two angels carry a book and a cross respectively.

38: Baptism of Christ
38: Baptism of Christ
38: Baptism of Christ
38-39: Baptism of Christ and Samson and the Lion
VI St. Paul

VI: St. Paul
VI: St. Paul
 

East Gallery

VII St. Peter

VII: St. Peter
VII: St. Peter
39 Samson and the lion

This story is told in Judges 14:5-20.

38-39: Baptism of Christ and Samson and the Lion
39: Samson and the Lion
39: Samson and the Lion
39: Samson and the Lion
39: Samson and the Lion
40 Martyrdom of St. Peter and St. Paul (inscription on the abacus)

A small recess on the side of the capital facing the gallery once held relics of these saints. The side facing the courtyard seems to show an angel embracing the souls of Peter and Paul.

40: Martyrdom of St. Peter and Paul
40: Martyrdom of St. Peter and Paul
40: Martyrdom of St. Peter and Paul
40: Martyrdom of St. Peter and Paul
41 Foliage design (stems entwining roses and alphabet on the abacus)

41: Foliage Design
41: Foliage Design
42 Adam and Eve

42: Adam and Eve
42: Adam and Eve
42: Adam and Eve
42: Adam and Eve
42: Adam and Eve
43 Acanthus leaves

43: Acanthus Leaves
44 Martyrdom of St. Lawrence

44: Martyrdom of St. Lawrence
44: Martyrdom of St. Lawrence
44: Martyrdom of St. Lawrence
44: Martyrdom of St. Lawrence
44: Martyrdom of St. Lawrence
45 Christ washing the disciples' feet (abacus: medallion held by two angels, containing hand of God and a head)

45: Washing of the Feet
45: Washing of the Feet
45: Washing of the Feet
45: Washing of the Feet
45: Washing of the Feet
46 Palm leaves (abacus: birds in combat in foliage)

46: Acanthus Leaves
47 Lazarus and the Rich Man (abacus: frieze of cherubs, inscription)

Not to be confused with the Lazarus who was raised from the dead, this is a parable in which a poor beggar named Lazarus receives his reward in heaven and the rich man Dives who refused to help him is punished in hell.

47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
47: Lazarus and the Rich Man
48 Griffins fighting, with human heads in their claws

48: Griffins with Human Heads
48: Griffins with Human Heads
48: Griffins with Human Heads
VIII Durand de Bredons (d.1071)

Durand de Bredons was the first Cluniac abbot of Moissac and also Bishop of Toulouse. He was declared a saint shortly after his death and is shown with a halo.

VIII: Abbot Durand de Bredons (d.1071)
VIII: Abbot Durand de Bredons (d.1071)
VIII: Abbot Durand de Bredons (d.1071)
VIII: Abbot Durand de Bredons (d.1071)
49 Men seizing eagles by the neck

49: Humans and Eagles
50 Wedding at Cana

50: Wedding at Cana
50: Wedding at Cana
50: Wedding at Cana
50: Wedding at Cana
50: Wedding at Cana
50: Wedding at Cana
51 Foliage design with pinecones

51: Foliage Design
51: Foliage Design
52 Adoration of the Magi; King Herod; Massacre of the Innocents

52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
52: Adoration of the Magi; Slaughter of the Innocents
East Gallery
53 Palmettes with animal masks/muzzles (abacus: lions and griffins)

53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
53: Foliage with Animal Masks
54 Acanthus leaves

This design is especially similar to classical Corinithian capitals.

54: Acanthus Leaves
54: Acanthus Leaves
55 Martyrdom of St. Saturnin

St. Saturnin was the first bishop of nearby Toulouse from about 250 AD. There was a Capitoline temple in the city center, whose oracle began to fail. The pagan priests attributed this to Saturnin's presence and, after refusing to sacrifice to pagan idols, he was dragged to death by a bull down the streets of Toulouse. The south face of this capital presumably shows his condemnation by the pagan priests, while the north face shows him dragged by the bull with his head being smashed on the steps of the Capitoline temple on the east face. The west face depicts the saint in a mandorla, ascending to heaven. (More info on Saturnin from Wikipedia.)

55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
55: Martyrdom of St. Saturnin
56 Acanthus leaves

56: Acanthus Leaves
57 Martyrdom of Sts. Fructueux, Augure, and Euloge

The joint martyrdom of Fructueux, Augure and Euloge (French), a.k.a. Fructuosus, Augurius and Eulogius (Latin). Saint Fructuosus was the first bishop of Tarragon and he was martyred along with his deacons Augurius and Eulogius by burning in 259 AD. Legend has it that after their ropes burned away, they spread their arms in memory of the crucifixion.

57: Martyrdom of Three Saints
57: Martyrdom of Three Saints
57: Martyrdom of Three Saints
57: Martyrdom of Three Saints
57: Martyrdom of Three Saints
57: Martyrdom of Three Saints
58 Annunciation; Visitation

58: Annunciation and Visitation
58: Annunciation and Visitation
58-59: Annunciation and Visitation; Angels and Demons
IX St. James

IX: St. James
IX: St. James

North Gallery

X St. John

X: St. John
X: St. John
59 Angels slaying dragons

A praying man stands in the middle of the action, probably to teach that the prayers of a holy man help good overcome evil.

59: Angels Slaying Dragons
59: Angels Slaying Dragons
60 Eagles (abacus: pairs of fish)
60: Eagles and Fish
60: Eagles and Fish
61 Foliage design (abacus: lions, griffins, ram, and goat)

61: Foliage Design and Lions
61: Foliage Design and Lions
62 Two miracles of St. Benedict (abacus: foliage and inscription)

62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
62: Two Miracles of St. Benedict
63 Birds in combat

63: Mythical Birds
63: Mythical Birds
64 St. Peter healing a paralytic

64: St. Peter Healing a Paralytic
64: St. Peter Healing a Paralytic
64: St. Peter Healing a Paralytic
64: St. Peter Healing a Paralytic
64: St. Peter Healing a Paralytic
64: St. Peter Healing a Paralytic
65 Foliage design (abacus: interlaced birds, stags and horses in combat)

65: Foliage Design
65: Foliage Design
66 Heavenly Court

Four archangels with spread wings, one on each face.

66: Heavenly Court
66: Heavenly Court
66: Heavenly Court
67 Miraculous catch of fish (abacus: dragons)

This miracle performed by the post-resurrection Christ is told in John 21:1-14.

67: Miraculous Catch of Fish
67: Miraculous Catch of Fish
67: Miraculous Catch of Fish
67: Miraculous Catch of Fish
67: Miraculous Catch of Fish
67: Miraculous Catch of Fish
XI Grey marble slab decorated with designs  
68 Daniel in the Lion's Den; Habakkuk and the Angel (abacus: people and animals fighting)

Daniel's story is told in Daniel 6. The other story is from Daniel 14:32-36 (also known as Bel and the Dragon), an apocryphal section that has not made it into most English translations of the Bible. An angel takes Habakkuk by the hair to Babylon, to feed Daniel while he is in the lions' den.

68: Daniel in the Lions' Den; Habakkuk
68: Daniel in the Lions' Den; Habakkuk
68: Daniel in the Lions' Den; Habakkuk
68: Daniel in the Lions' Den; Habakkuk
68: Daniel in the Lions' Den; Habakkuk
69 Crusaders in Jerusalem?

This capital depicts a procession of soldiers and an angel outside a city, probably representing the Crusaders in Jerusalem. The first crusade was in 1095 and this cloister was completed in 1100.

69: Crusaders in Jerusalem?
69: Crusaders in Jerusalem?
69: Crusaders in Jerusalem?
69: Crusaders in Jerusalem?
69: Crusaders in Jerusalem?
70 Foliage design of Mozarbic influence (abacus: more foliage and a pretend Kufic script)

69-71: History and Culture in the North Gallery
70: Mozarbic Foliage Design
71 Symbols of the Four Evangelists

This is the second occurence of this subject in the cloister (the other is capital 31).

71: Symbols of the Four Evangelists
71: Symbols of the Four Evangelists
71: Symbols of the Four Evangelists
72 Birds fighting

72: Birds
72: Birds
73 Three Hebrews in the fiery furnace (abacus: mandorlas held by angels containing hand of God, Lamb of God, head of Christ, and dove)

73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
73: Three Hebrews in the Furnace
74 Life of St. Martin (abacus: animals, griffins, inscription)

The inscription explains: "Martin, while still a catechumen, gave a pauper half of his cloak. Christ then appeared to him, wearing the garment. When a bishop, he raised a novice from the dead." (MARTINVS ADHVC CATEHCVMANVS HAC ME VESTE CONTEXIT HIS MARTINVS ELECTVS DEI PONTIFEX)

74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
74: St Martin of Tours
75 Foliage design

75: Foliage Design
75: Foliage Design
76 Jesus and the Samaritan woman

This story is told in John 4:1-26.

76: Jesus and the Samaritan Woman
76: Jesus and the Samaritan Woman
76: Jesus and the Samaritan Woman
76: Jesus and the Samaritan Woman
76: Jesus and the Samaritan Woman
76: Jesus and the Samaritan Woman
XII St. Andrew  

Quick Facts

Site Information
Names: Moissac Abbey Cloister
Dedicated to:St. Peter
Location:Moissac, Midi-Pyrenees, France
Categories: Abbeys & Monasteries; Churches; World Heritage Sites
Faith:Christianity
Denomination:Catholic
Order:Cluniac
Status:museum
Date:1100
Architecture: Romanesque
Size:31 x 27 m, containing 76 capitals plus 12 large pillar relief
Features:Romanesque Sculpture
Visitor Information
Coordinates: 44.105667° N, 1.084626° E   (view on Google Maps)
Address:7 Place Durand de Bredon, 82200 Moissac, France
Photography:Permitted
Parking:Free parking lot behind the abbey, plus city parking

Note: This information was accurate when published and we do our best to keep it updated, but details such as opening hours can change without notice. To avoid disappointment, please check with the site directly before making a special trip.

Article Sources

Article written by Holly Hayes with reference to the following sources:

  1. Personal visit (July 10, 2009).
  2. Moissac Abbey. Book purchased at the Moissac Abbey shop.
  3. Blue Guide Southwest France, 333-35.


Article last updated: 07/28/2009.





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